Kenzi Benabdallah

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<channel>
	<title>Kenzi Benabdallah</title>
	<link>https://studiokenzi.com</link>
	<description>Kenzi Benabdallah</description>
	<pubDate>Fri, 01 May 2026 13:02:07 +0000</pubDate>
	<generator>https://studiokenzi.com</generator>
	<language>en</language>
	
		
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		<title>tja</title>
				
		<link>http://studiokenzi.com/tja</link>

		<comments></comments>

		<pubDate>Fri, 01 May 2026 13:02:07 +0000</pubDate>

		<dc:creator>Kenzi Benabdallah</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>KENZI كنزي BENABDALLAH, CONCEPTUAL ARTIST; b. 1989, BATNA, ALGERIA.

NICHT GEBOREN AUF DEUTSCHEM GRUND/NICHT GEBOREN AUS DEUTSCHEM GRUN
	"HOW DO LABOUR SYSTEMS TRANSFORM THE BODY IN FRAGILE SITUATIONS?" –
 A CENTRAL QUESTION OF MY RESEARCH AND WORK "NICHT GEBOREN AUF DEUTSCHEM GRUND/NICHT GEBOREN AUS DEUTSCHEM GRUND" THAT MATERIALISES INTO A SERIES OF INSTALLATIONS. IT BEGINS WITH PERSONAL STORIES AND ARCHIVAL MATERIAL OF MY FATHER AND MOVES INTO THE PRESENT.
	

	01
	PRECAST CONCRETE PANEL, INK14 CM X 9 CM X 4 CM

	THE IDENTITY DOCUMENT OF AN ALGERIAN CONTRACT WORKER – A NUMBER, PRINTED ONTO A CONCRETE SLAB IN THE EXACT DIMENSIONS OF THE ORIGINAL. THE SLAB PEELS AWAY AT THE SIDE, EXPOSING WHAT LIES BENEATH. PREFABRICATED CONCRETE PANELS WERE THE PRIMARY BUILDING MATERIAL OF THE GDR:
 STANDARDISED, RAPIDLY PRODUCED, REPLACEABLE. LIKE THE PEOPLE WHO BUILT WITH THEM.

	
&#60;img width="2740" height="2566" width_o="2740" height_o="2566" src_o="https://cortex.persona.co/t/original/i/5462e41151538265e01093f11c535846d53ab8b154f78733f1242e5e33296a8b/02.png" data-mid="1437967" border="0" /&#62;02
	ALUMINIUM MEDAL (ORIGINAL)
ALUMINIUM EMDAL (REPRODUCTION)
3 CM X 3,5 CM


	THE SECOND INSTALLATION REPRODUCES A GDR MEDAL FOR "BEST WORKER" – ITS ORIGINAL INSCRIPTION READING: "FOR EVERY MARK, EVERY HOUR OF WORKING TIME AND EVERY GRAM OF MATERIAL A GREATER BENEFIT." A TITLE AWARDED ALMOST EXCLUSIVELY TO GDR-BORN CITIZENS. THE REPRODUCTION READS "GASTARBEITER" AND CARRIES AN ALTERED INSCRIPTION: "FOR EVERY HUMAN, EVERY HOUR OF LIFETIME AND EVERY GRAM OF BODY A GREATER BENEFIT." THE SAME LANGUAGE TURNED AGAINST ITSELF.

	
&#60;img width="1448" height="1086" width_o="1448" height_o="1086" src_o="https://cortex.persona.co/t/original/i/149a8995c4711f1fca65a7d98188b62ce93952f0de696100a3411622b36b1831/Bestarbeiter_Gastarbeiter.png" data-mid="1437968" border="0" /&#62;

03
	ALUMINUM CARPET
112 CM X 59 CM X 4 CM

	
	A PRAYER RUG CAST IN SCRATCHED ALUMINIUM – SHARP-EDGED, IMPASSABLE, REFUSING THE BODY. IT SPEAKS OF HOW ADAPTATION GIVES WAY TO SELF-ERASURE WHEN PERSONAL BELIEF BECOMES A PUBLIC MATTER. WHERE FAITH SHOULD MEET THE GROUND, THE MATERIAL MAKES CONTACT IMPOSSIBLE. A QUESTION OF BELONGING, IDENTITY, AND WHAT SOCIALIST EVERYDAY LIFE WOULD AND WOULD NOT TOLERATE.
	&#60;img width="1080" height="1350" width_o="1080" height_o="1350" src_o="https://cortex.persona.co/t/original/i/b37741d9e5f8b956476f915c277b80292b661a76adc3b0fb724baa5dd2256eaf/Kenzi_Benabdallah_Praying-Carpet-2.JPG" data-mid="1437969" border="0" /&#62;

05
	1167 DDR 1-PFENNIG ALUMINIUM COINS
175 CM X 1,7 CM X 1,7 CM


	&#60;img width="1024" height="1536" width_o="1024" height_o="1536" src_o="https://cortex.persona.co/t/original/i/e1204fdd657f4032ca5534b3361f61b465620096bae59185a09364af403e756a/06.png" data-mid="1437970" border="0" /&#62;
	A STACK OF 1,167 GDR 1-PFENNIG COINS, REACHING 1.75 M – THE APPROXIMATE HEIGHT OF MY FATHER'S BODY. IN THE SPACE, IT APPEARS AS A FINE, FRAGILE LINE, ALMOST INVISIBLE. THE ECONOMIC VALUE OF A HUMAN BODY, REDUCED TO COUNTABLE UNITS.
THE PEOPLE SURVIVED THE SYSTEM. THE INJUSTICE DID NOT CLOSE WITH IT. CONTRACT WORKERS WERE NOT FAIRLY COMPENSATED. ALGERIA WITHHELD PARTS OF THEIR WAGES. MOST RETURNED TO THE PRECARIOUS CONDITIONS THE SYSTEM FIRST FOUND THEM IN. MANY ARE STILL FIGHTING, WITHOUT SUCCESS, FOR RECOGNITION OF THEIR LABOUR AND THEIR PENSIONS. THEIR STORIES, ENTANGLED IN THE GDR, REMAIN INVISIBLE.

06
	OFFICE CHAIR, CASTED ALUMINIUM
89 CM X 62 CM X 50 CM


	AN OFFICE CHAIR, CAST IN ALUMINIUM, IN THE VISUAL LANGUAGE OF PRODUCTIVITY. THE SPIKE AT ITS CENTRE RENDERS IT A REVERSAL OF ITS OWN FUNCTION – UNUSABLE. THE BODY FINDS NO PLACE HERE. EXPLOITATIVE SYSTEMS, LIKE THAT OF CONTRACT LABOUR, CONTINUE TO EXIST. THEY HAVE CHANGED FORM. THE LOGIC REMAINS.
&#60;img width="1615" height="1776" width_o="1615" height_o="1776" src_o="https://cortex.persona.co/t/original/i/4edde9369a40eb1bc3fb61f81d09927ef0b48e9a8e4d7702bd398407c41d1ec5/01.png" data-mid="1437971" border="0" /&#62;

</description>
		
		<excerpt>KENZI كنزي BENABDALLAH, CONCEPTUAL ARTIST; b. 1989, BATNA, ALGERIA.  NICHT GEBOREN AUF DEUTSCHEM GRUND/NICHT GEBOREN AUS DEUTSCHEM GRUN 	"HOW DO LABOUR SYSTEMS...</excerpt>

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	<item>
		<title>kenzi</title>
				
		<link>http://studiokenzi.com/kenzi</link>

		<comments></comments>

		<pubDate>Fri, 17 Apr 2026 14:42:44 +0000</pubDate>

		<dc:creator>Kenzi Benabdallah</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">459469</guid>

		<description>


KENZIكنزي BENABDALLAH
 

&#38;nbsp; &#38;nbsp;
 &#38;nbsp; &#38;nbsp;  IND.,ARTIST


PORTFOLIO UPON REQUEST 
KENZIBENABDALLAH@GMAIL.COM</description>
		
		<excerpt>KENZIكنزي BENABDALLAH    &#38;nbsp; &#38;nbsp;  &#38;nbsp; &#38;nbsp;  IND.,ARTIST     PORTFOLIO UPON REQUEST  KENZIBENABDALLAH@GMAIL.COM</excerpt>

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	</item>
		
		
	<item>
		<title>work</title>
				
		<link>http://studiokenzi.com/work</link>

		<comments></comments>

		<pubDate>Tue, 07 Apr 2026 16:34:32 +0000</pubDate>

		<dc:creator>Kenzi Benabdallah</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">459415</guid>

		<description>

KENZI كنزي BENABDALLAH, CONCEPTUAL ARTIST; b. 1989, BATNA, ALGERIA.

&#38;nbsp; &#38;nbsp; 


	01
	INSTALLATIONS
	NICHT GEBOREN AUF DEUTSCHEM GRUND /NICHT GEBOREN AUS DEUTSCHEM GRUN 


	&#60;img width="1080" height="1350" width_o="1080" height_o="1350" src_o="https://cortex.persona.co/t/original/i/76bf9c79913019e1f0507f09a957a5eabcb234fd90a57e63376880c5deefb154/Kenzi_Benabdallah-Office-Chair1.jpg" data-mid="1437178" border="0" /&#62;
	"HOW DO LABOUR SYSTEMS TRANSFORM THE BODY IN FRAGILE SITUATIONS?" –
 
A CENTRAL QUESTION OF MY RESEARCH AND WORK "NICHT GEBOREN AUF DEUTSCHEM GRUND/NICHT GEBOREN AUS DEUTSCHEM GRUND" THAT MATERIALISES INTO A SERIES OF INSTALLATIONS.&#38;nbsp;
IT BEGINS WITH PERSONAL STORIES AND ARCHIVAL MATERIAL2 OF MY FATHER AND MOVES INTO THE PRESENT.

THIS WORK TRACES THE HISTORY OF THE MALE ALGERIAN DIASPORA THAT FORMED IN THE GDR AFTER 1975.THIS WORK TRACES THE HISTORY OF THE MALE ALGERIAN DIASPORA THAT FORMED IN THE GDR AFTER 1975.


AN OFFICE CHAIR AS THE VISUAL LANGUAGE OF PRODUCTIVITY, MADE FROM CASTED ALUMINIUM. THE SPIKE AT ITS CENTRE RENDERS IT A REVERSAL OF ITS OWN FUNCTION – AND THEREFORE UNUSABLE.
 
THE BODY FINDS NO PLACE HERE.&#38;nbsp;EXPLOITATIVE SYSTEMS, LIKE THAT OF CONTRACT LABOUR, CONTINUE TO EXIST IN DIFFERENT FORMS TODAY. IT IS IMPORTANT TO REMEMBER THIS HISTORY IN ORDER TO RECOGNISE ITS PARALLELS IN CONTEMPORARY FORMS OF THE SYSTEMATIC EXPLOITATION OF PEOPLE IN FRAGILE LIFE SITUATIONS.


&#60;img width="1967" height="1677" width_o="1967" height_o="1677" src_o="https://cortex.persona.co/t/original/i/909be94299bdd338bcd7a6f7ba55b414957c57f1d11c878f0467e2ec3df9faba/02.png" data-mid="1436462" border="0" /&#62;CREATIVE SERVICES AND CONSULTING FOR MUSIC, ART AND FASHION COMMUNICATION.

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/0eb9b6874512442b210af4f2d78b8058b163f03bfd4a6cdfd0c98020087a822e/Untitled-1.jpg" data-mid="1437246" border="0" /&#62;


02
	60 x 50 CM

VINTAGE BLACK LEATHER BELTS, METAL FRAME, SILVER BELT BUCKLE
	“SHAYTANشَيْطَان”
	&#60;img width="2730" height="1536" width_o="2730" height_o="1536" src_o="https://cortex.persona.co/t/original/i/7233004fee46d5898822b6d8bb412e25eeec933ba76262d79011fc2a7562c32c/Installation_Sheytan_Buckle.jpg" data-mid="1437179" border="0" /&#62;
	A BELT.A RITUALISED PERFORMANCE OF MALE AUTHORITY.A SYMBOL OF POWER AND AGGRESSION.A FORM OF ‘DISCIPLINE’ IN THE MEMORY OF THE ARTIST.THESE BELTS, WORN BY MEN IN THE 1990S IN ALGERIA, FORM THE ENTIRE CANVAS. THE WORD “SHAYTAN” (ARABIC: ‘DEVIL’) IS IMPRINTED ON A SILVER LEATHER BELT BUCKLE.THE WORD WAS USED AS PART OF THE RITUAL TO SIGNAL ANGER AND AGGRESSION.LANGUAGE AND OBJECT CONVERGE:THE WORD NAMES THE FORCE WHILE THE BELT PERFORMS IT.IN THIS RITUAL, A BELT WAS REMOVED FROM THE WAIST, SNAPPED IN THE AIR, ITS LEATHER CUTTING THROUGH SILENCE LIKE A WARNING. A WAY FOR MEN TO SHOW THEIR STRENGTH AND PRACTICE THEIR AUTHORITY IN A MASCULINE HIERCHARCHY.FREEDOM IS GAINED BY REJECTING PERFORMED RITUALS OF MASCULINITIES. REFUSING INHERITED GESTURES AND CHOOSING NOT TO REPEAT THEM.


&#60;img width="2730" height="1536" width_o="2730" height_o="1536" src_o="https://cortex.persona.co/t/original/i/b6859d948c4ee9709843aec50774fbe0e8d4b9beb9013016efedabaf3338bf9d/Installation_Sheytan-1.jpg" data-mid="1437180" border="0" /&#62;


	03
	
	60 x 50 CM
VINTAGE BLACK LEATHER BELTS, METAL FRAME, SILVER BELT BUCKLE
	HARAM TYPE


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/756471a60ca57b3429c810f8e0ccad325e189a7b45c4397a97125b05a9c9d3db/Untitled-2.jpg" data-mid="1437247" border="0" /&#62;

	&#60;img width="1901" height="2655" width_o="1901" height_o="2655" src_o="https://cortex.persona.co/t/original/i/d0b7cb46b20e2514be14c0002bfa2259faab8c41eb981635fdd09d68e47ebbb3/01.jpg" data-mid="1437248" border="0" /&#62;
	&#60;img width="1653" height="2385" width_o="1653" height_o="2385" src_o="https://cortex.persona.co/t/original/i/724204cbd834907d01d9f1adf36237e16caeab5fdfc4293f29f4ac43fd08de27/03.jpg" data-mid="1437249" border="0" /&#62;
	&#60;img width="1924" height="2742" width_o="1924" height_o="2742" src_o="https://cortex.persona.co/t/original/i/32108dfba3bfeec0321d6b196b9e6fee5df7653519d84aab2bcb134f422fcce4/04.jpg" data-mid="1437250" border="0" /&#62;


</description>
		
		<excerpt>KENZI كنزي BENABDALLAH, CONCEPTUAL ARTIST; b. 1989, BATNA, ALGERIA.  &#38;nbsp; &#38;nbsp;    	01 	INSTALLATIONS 	NICHT GEBOREN AUF DEUTSCHEM GRUND /NICHT GEBOREN AUS...</excerpt>

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	</item>
		
		
	<item>
		<title>shaytan</title>
				
		<link>http://studiokenzi.com/shaytan</link>

		<comments></comments>

		<pubDate>Fri, 13 Mar 2026 11:48:31 +0000</pubDate>

		<dc:creator>Kenzi Benabdallah</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">459297</guid>

		<description>KENZIكنزي BENABDALLAH

&#38;nbsp;

INSTALLATION, 2026“SHAYTANشَيْطَان”


60 x 50 CM
VINTAGE BLACK LEATHER BELTS, 
METAL FRAME, SILVER BELT BUCKLE

&#60;img width="2730" height="1536" width_o="2730" height_o="1536" src_o="https://cortex.persona.co/t/original/i/d26ba6558362888faf731e21a9054f0bfb3129d140dcab36116b864355a26df7/Installation_Sheytan.jpg" data-mid="1434058" border="0" /&#62;

	A BELT.

 
A RITUALISED PERFORMANCE OF MALE AUTHORITY.
 
A SYMBOL OF POWER AND AGGRESSION. 
A FORM OF ‘DISCIPLINE’ IN THE MEMORY OF THE ARTIST. 
THESE BELTS, WORN BY MEN IN THE 1990S IN ALGERIA, FORM THE ENTIRE CANVAS. THE WORD “SHAYTAN” (ARABIC: ‘DEVIL’) IS IMPRINTED ON A SILVER LEATHER BELT BUCKLE. 
THE WORD WAS USED AS PART OF THE RITUAL TO SIGNAL ANGER AND AGGRESSION.

	LANGUAGE AND OBJECT CONVERGE: 
THE WORD NAMES THE FORCE WHILE THE BELT PERFORMS IT.
 
IN THIS RITUAL, A BELT WAS REMOVED FROM THE WAIST, SNAPPED IN THE AIR, ITS LEATHER CUTTING THROUGH SILENCE LIKE A WARNING. A WAY FOR MEN TO SHOW THEIR STRENGTH AND PRACTICE THEIR AUTHORITY IN A MASCULINE HIERCHARCHY.
 
FREEDOM IS GAINED BY REJECTING PERFORMED RITUALS OF MASCULINITIES. REFUSING INHERITED GESTURES AND CHOOSING NOT TO REPEAT THEM.


&#60;img width="2730" height="1536" width_o="2730" height_o="1536" src_o="https://cortex.persona.co/t/original/i/8379531071a9164cd33bb507c4aa3a2fcc1da1e120012e4cc59b0270a7fb3dda/Installation_Sheytan_Buckle.jpg" data-mid="1434061" border="0" /&#62;


&#60;img width="2730" height="1536" width_o="2730" height_o="1536" src_o="https://cortex.persona.co/t/original/i/66541d709dff3982cfd62aea649a8b8e8e2b6b0bf670350629a6c422da1f77c0/Installation_Sheytan_close.jpg" data-mid="1434059" border="0" /&#62;


2026


</description>
		
		<excerpt>KENZIكنزي BENABDALLAH  &#38;nbsp;  INSTALLATION, 2026“SHAYTANشَيْطَان”    60 x 50 CM VINTAGE BLACK LEATHER BELTS,  METAL FRAME, SILVER BELT BUCKLE    	A...</excerpt>

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	</item>
		
		
	<item>
		<title>info</title>
				
		<link>http://studiokenzi.com/info</link>

		<comments></comments>

		<pubDate>Wed, 23 Apr 2025 20:23:32 +0000</pubDate>

		<dc:creator>Kenzi Benabdallah</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">456630</guid>

		<description>
  
  
KENZI&#38;nbsp; كنزي
 BENABDALLAH
    

&#38;nbsp;
CREATIVE
 DIRECTION
IND.,&#38;nbsp;
&#60;img width="6144" height="8193" width_o="6144" height_o="8193" src_o="https://cortex.persona.co/t/original/i/30cb73b54cca9e28267d3129e44e272df2adf81318e4954afd9fa846eeb36810/KENZI_BENABDALLAH_1763b.jpg" data-mid="1405337" border="0" data-scale="17"/&#62;

    
CONTACT ■
BACK
  

CREATIVE SERVICES AND CONSULTING FOR MUSIC, ART AND FASHION COMMUNICATION.&#38;nbsp;


TALKS &#38;amp;&#38;nbsp;
EXHIBITIONS
TRIENNALE MILANO

TYPO BERLIN

LOGIN BY OFFFWDK ACADEMIE
FABRICA


AWARDS
CANNES LIONS
ART DIRECTORS CLUB
D&#38;amp;AD
CLIO
EUROBEST
NEW YORK FESTIVALS

    +49 176 626 39 399
INFO@STUDIOKENZI.COM
BERLIN, GERMANY


SELECTED PRESS


THE GUARDIAN
GLAMOUR
VICE


ROLLING STONE
ITSNICETHAT
FAZ
FASTCOMPANY
VOGUE
INDIE


CLIENTS


72ANDSUNNYADIDAS 
ANOMALY 
BENETTON 
EUROPEAN SPACE AGENCY 
GOOGLE 
MERCEDES-BENZ 
MOTHER 
RITA ORA
 TROPENMUSEUM
UNITED NATIONS 
VICE 
W+K

  
</description>
		
		<excerpt>KENZI&#38;nbsp; كنزي  BENABDALLAH        &#38;nbsp; CREATIVE  DIRECTION IND.,&#38;nbsp;           CONTACT ■ BACK     CREATIVE SERVICES AND CONSULTING...</excerpt>

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	</item>
		
		
	<item>
		<title>portfolio</title>
				
		<link>http://studiokenzi.com/portfolio</link>

		<comments></comments>

		<pubDate>Tue, 22 Apr 2025 18:40:50 +0000</pubDate>

		<dc:creator>Kenzi Benabdallah</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">456618</guid>

		<description>
  
  
KENZI&#38;nbsp; كنزي
 BENABDALLAH
    

&#38;nbsp;
CREATIVE
 DIRECTION
IND.,&#38;nbsp;

    
CONTACT ■
INFO
  

I
&#38;nbsp;


CAMPAIGN &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; CROCS MOVE — GLOBALSHOT ◩ BY &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; TEREZA MUNDILOVÁ


&#60;img width="2373" height="1335" width_o="2373" height_o="1335" src_o="https://cortex.persona.co/t/original/i/882e795e741c27b04e36005d8af0b1745c465842cf90ea44c73194088434409e/crocs02.jpg" data-mid="1429170" border="0" /&#62;


      Your browser doesn't support HTML video. You can
      download the video instead.
    
  
&#60;img width="2048" height="1368" width_o="2048" height_o="1368" src_o="https://cortex.persona.co/t/original/i/695d01c29237df7f930e0e22d348b53e75cdbfe347602601bd8e8b628168a6b1/crocs-ooh.jpg" data-mid="1429285" border="0" /&#62;


&#60;img width="2373" height="1335" width_o="2373" height_o="1335" src_o="https://cortex.persona.co/t/original/i/5646173d9af7d470eab0c5b9bd15959e9d2268802db906e5c7c084475cc68c66/crocs03.jpg" data-mid="1429173" border="0" /&#62;


CREDITS &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
WE ARE SOCIAL,AMS &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; AGENCY
CREATIVE DIRECTION &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; ROLE


II


CAMPAIGN &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; RITA ORASHOT ◩ BY &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; SIMON BURSTALL


&#60;img width="3000" height="1688" width_o="3000" height_o="1688" src_o="https://cortex.persona.co/t/original/i/2f061a799c978b42d9db8b9c639aaf666f7d4272da222c209bc3dc5acb1a40b5/ritaora3.jpg" data-mid="1405201" border="0" /&#62;


&#60;img width="3000" height="1688" width_o="3000" height_o="1688" src_o="https://cortex.persona.co/t/original/i/8a31828473c19cbb5ce93fb1e757a12813d5dacb148d166cf85b6620142acc57/ritaora2.jpg" data-mid="1405202" border="0" /&#62;


&#60;img width="3000" height="1688" width_o="3000" height_o="1688" src_o="https://cortex.persona.co/t/original/i/b88ca546495336ed9bdbda2af9acf13df643e43f1c96d2373d0d36cce64f13ba/ritaora1.jpg" data-mid="1405203" border="0" /&#62;


CREDITS &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
RITA ORA, DEICHMANN&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; CLIENT
 CREATIVE DIRECTION &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; ROLE
ANNA TREVELYAN &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; STYLING
AARON SILLIS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; MOVEMENT DIRECTOR


III


CAMPAIGN &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; GOOGLE SEARCH SOUNDSSHOT ◩ BY &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A COMMON FUTURE


&#60;img width="2496" height="1404" width_o="2496" height_o="1404" src_o="https://cortex.persona.co/t/original/i/f944666d6fda9d0040714338b3bd2ee6b802ff79f1adff5e9c3bf5d2f518a803/search-ooh.jpg" data-mid="1406132" border="0" /&#62;
  
    
CREDITS &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
72ANDSUNNY, AMS &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; AGENCY
 CREATIVE DIRECTION &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; ROLE
UNIT9 &#38;amp; JULIE BOURGES &#38;nbsp; &#38;nbsp; &#38;nbsp; PRODUCTION


IV


CAMPAIGN&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; HYUNDAI, ARE YOU IN?
SHOT ◩ BY &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; MATTHEW JONES&#60;img width="5334" height="3001" width_o="5334" height_o="3001" src_o="https://cortex.persona.co/t/original/i/0b044501b343b55eb51ab099e8cd381964f0e16e316d0882bbd6dd2ffbc2d596/x.jpg" data-mid="1405825" border="0" /&#62;
&#60;img width="2000" height="1247" width_o="2000" height_o="1247" src_o="https://cortex.persona.co/t/original/i/2294885c089d4ea65de81c35af0978c6f74940f3edef0edec8de22535c9b275e/bigmjones-instersite-10.jpg" data-mid="1405989" border="0" /&#62;


&#60;img width="2678" height="1506" width_o="2678" height_o="1506" src_o="https://cortex.persona.co/t/original/i/2fa5b0b195913c9b15076fc654432d326b57cf7e9916a4520cc2b32419cd798f/MAG_final2.jpg" data-mid="1406268" border="0" /&#62;
&#60;img width="3000" height="2121" width_o="3000" height_o="2121" src_o="https://cortex.persona.co/t/original/i/730fe79377128edcd76b8de768ef112f741fd99d9bde595498dde168f3f106f2/MJones_InsterSITE_08.jpg" data-mid="1405991" border="0" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/69fbf265b1b7379498445390fced6c091d0f2ccd809d293326d16db91d3e9439/4.jpg" data-mid="1406162" border="0" /&#62;
CREDITS &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
SERVICEPLAN, HH&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;AGENCY
 CREATIVE DIRECTION &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; ROLE


&#38;nbsp;
V


CAMPAIGN &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ZALANDO, REAL LIFE LUXURYSHOT ◩ BY &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; FELIX COOPER


&#60;img width="1700" height="1152" width_o="1700" height_o="1152" src_o="https://cortex.persona.co/t/original/i/ab2bc6d575550e359fd993cc972ecfa71f49a9d487fe5d848ab0d7b510487fca/rll.jpg" data-mid="1406543" border="0" /&#62;


CREDITS &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
KOLLE REBBE, HH&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;AGENCY
 CREATIVE DIRECTION &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; ROLE27KM&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; PRODUCTION&#38;nbsp;


VI


CAMPAIGN &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; GOOGLE PIXEL 9&#38;nbsp;SHOT ◩ BY &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; PAUL HERRMANN


&#60;img width="4106" height="2310" width_o="4106" height_o="2310" src_o="https://cortex.persona.co/t/original/i/b48e0f6cf926b3d3a457a791dd7027402813b43406988f95dabc95e8b2cf5cdc/collection.jpg" data-mid="1406130" border="0" /&#62;


CREDITS &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
MOTHER, BER&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;AGENCY
 CREATIVE DIRECTION &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; ROLEBWGTBLD &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; PRODUCTION


VII


CAMPAIGN &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; HORNBACH HAMMERSHOT ◩ BY &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; TOPIAS PERSE
&#38;nbsp;


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" src_o="https://cortex.persona.co/t/original/i/cb154d1515739759b6f5bb6c5753ac17244863a68e5dd67ff211921bd945569f/hh.jpg" data-mid="1435414" border="0" /&#62;

CREDITS &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; HEIMAT, BER&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;AGENCY CREATIVE&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ROLEBIGFISH &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; PRODUCTION


VIII


CAMPAIGN &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; UBER POOL PARISSHOT ◩ BY &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ARNAUD DEROUDILHE


&#60;img width="1940" height="1092" width_o="1940" height_o="1092" src_o="https://cortex.persona.co/t/original/i/d7524044e2e88173af8e4523957173f87ee3f3a18109783867fe8f1e73f339e6/boilerroom2.jpg" data-mid="1406140" border="0" /&#62;
&#38;nbsp; &#38;nbsp; 
↳ LISTEN TO BOILER ROOM X UBERPOOL PRESENTS B2B2B2B PARIS

CREDITS &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
72ANDSUNNY, AMS &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; AGENCY
 CREATIVE DIRECTION &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; ROLEFRENZY &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;PRODUCTION


IX


PROJECT &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;UNITED COLORS OF BENETTONEXHIBITED ◩ AT&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; TRIENNALE DI MILANO


&#60;img width="1978" height="1250" width_o="1978" height_o="1250" src_o="https://cortex.persona.co/t/original/i/efac9787b4b6160e59fcaa2e64510e347fe59fa45a8dedd65822a4c8d6c157ac/cardss.jpg" data-mid="1405240" border="0" /&#62;


&#60;img width="4936" height="2531" width_o="4936" height_o="2531" src_o="https://cortex.persona.co/t/original/i/6ccb2a619c614c69b187cf80f04b323d2047b95881abe623793c059525d4e71b/card_1.png" data-mid="1406014" border="0" /&#62;


&#60;img width="2902" height="1629" width_o="2902" height_o="1629" src_o="https://cortex.persona.co/t/original/i/9581cabebe0e4244176fb03c28563acb9af16061a26b5a302e3317a0f26fabf4/cards4.jpg" data-mid="1405249" border="0" data-scale="100"/&#62;


&#60;img width="4936" height="2531" width_o="4936" height_o="2531" src_o="https://cortex.persona.co/t/original/i/00c88a545c4da6f47e4e10d1d86119b11637914206e174ef8c8ebfb0190aa3c3/card_2.png" data-mid="1406016" border="0" /&#62;


X


PROJECT &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; FUKUSHIMA WATER, ENVIRONMENTAL CAMPAIGN


SELF INITIATED PROJECT WITH STEFAN WITTEMANN AND FLORIAN TSCHARF ◧


XI


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XII


PROJECT&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; MERCEDES BENZ EDITORIAL
SHOT ◩ BY &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; DANIEL JOSEFSOHN


&#60;img width="3000" height="2494" width_o="3000" height_o="2494" src_o="https://cortex.persona.co/t/original/i/43ede57e4d6ab6215d243fbd762e6de45def679a90bcdae36b93bae5790a6dcf/A2-Klasse_Motiv_02_vs4.jpg" data-mid="1411839" border="0" /&#62;

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		<excerpt>KENZI&#38;nbsp; كنزي  BENABDALLAH        &#38;nbsp; CREATIVE  DIRECTION IND.,&#38;nbsp;          CONTACT ■ INFO          I &#38;nbsp;   CAMPAIGN &#38;nbsp;...</excerpt>

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